Pak Uning sends videos of each step of constructing rumah ikan - selecting nipah palm, showing the new bakau wood structures he is experimenting with - triangular this time, to withstand the currents - loading rumah ikan onto his boat and taking them out to sea. Drawings of rumah ikan beneath the sea, of the routes he takes to fish at each location - bako 1, bako 2, bako 3, bako 4. I wanted to attach a go-pro to the rumah ikan, to see its worlds. An impatient insistence on seeing. But rumah ikan insists on opacity, is already present in its inaccessibility, shows itself partly by what it yields: fish, curiosity, dolphins, encounters, stories and videos that bounce between phones and the conversations that move in circles around it.